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This paper presents an exploration of the process of developing a music composition through various layers of interaction with ideas through the abstract and the real. The composition is the most significant component of the project as a whole, and this paper regards itself as a sort of artist's journal developed during creation of the composition, making some attempt to show the process of improvising through the project. The project as a whole explores the various conceptualizations of the idea, of the relationship between the abstract and the real, and representations of a work that cannot be fully known. The composition itself represents the whole project through the interaction of two central ideas merging towards a circle of relation. Particular attention is given to the dynamic of composition and improvisation, and the role of improvisation in the creation of new work. |
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