| dc.creator |
Crombez, Thomas |
|
| dc.date |
2008 |
|
| dc.date.accessioned |
2020-02-25T15:37:12Z |
|
| dc.date.available |
2020-02-25T15:37:12Z |
|
| dc.identifier |
http://www.oapen.org/download/?type=document&docid=365431 |
|
| dc.identifier |
https://www.doabooks.org/doab?func=search&query=rid:13284 |
|
| dc.identifier |
ISBN: 9789038212739 |
|
| dc.identifier |
DOI: 10.26530/OAPEN_365431 |
|
| dc.identifier.uri |
https://evidence.thinkportal.org/handle/123456789/32453 |
|
| dc.description |
What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself. |
|
| dc.language |
Dutch; |
|
| dc.publisher |
Academia Press |
|
| dc.rights |
https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
|
| dc.subject |
anti-theater |
|
| dc.subject |
historische avant-garde |
|
| dc.subject |
theater |
|
| dc.subject |
antonin artaud |
|
| dc.subject |
historical avant-garde |
|
| dc.title |
Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio |
|
| dc.type |
book |
|