Para una metodología de la enseñanza del cine ¡Viene el rinoceronte! The Rhinoceros is coming! For a methodology in cinema teaching

dc.creator	Juan Miguel Company Ramón
dc.date	2007-10-01T00:00:00Z
dc.date.accessioned	2015-07-20T22:06:17Z
dc.date.available	2015-07-20T22:06:17Z
dc.identifier	1134-3478
dc.identifier	1988-3293
dc.identifier	https://doaj.org/article/f9e939308c4740f8a6d013866d27c44e
dc.identifier.uri	http://evidence.thinkportal.org/handle/123456789/10395
dc.description	El estudio del cine en las aulas universitarias debe partir de una concepción no teleológica de su historia, haciendo hincapié en sus períodos de transformación/transición y los diferentes modos de representación con los que interpela al espectador a lo largo del tiempo. El análisis formal –que no formalista– de las películas introduce la problemática del sujeto en la obra y reivindica unos valores humanistas, cuya ausencia resulta devastadora en la llamada sociedad de la información. Film studies at universityshould start from a non teleological conception of film history, stressing the periods of transformation/transition and the different representation modes which have been aimed at the spectator through the years. The formal (non formalist) analysis of films introduces the problem of subject in films and reivindicates humanist values, whose absence is devastating in the so called «information society».
dc.language	Spanish
dc.language	English
dc.publisher	Grupo Comunicar Ediciones
dc.relation	http://www.revistacomunicar.com/numeros_anteriores/archivospdf/29/29-10-temas-company.pdf
dc.relation	https://doaj.org/toc/1134-3478
dc.relation	https://doaj.org/toc/1988-3293
dc.rights	CC BY-NC-SA
dc.source	Comunicar, Vol XVI, Iss 29, Pp 59-62 (2007)
dc.subject	Modelo de crisis
dc.subject	Transiciones
dc.subject	Modos de representación
dc.subject	Análisis formal
dc.subject	Humanismo
dc.subject	Crisis model
dc.subject	Transitions
dc.subject	Modes of representation
dc.subject	Formal analysis
dc.subject	Humanism
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	DOAJ:Media and communication
dc.subject	DOAJ:Social Sciences
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	DOAJ:Education
dc.subject	DOAJ:Social Sciences
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	DOAJ:Media and communication
dc.subject	DOAJ:Social Sciences
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	DOAJ:Education
dc.subject	DOAJ:Social Sciences
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.title	Para una metodología de la enseñanza del cine ¡Viene el rinoceronte! The Rhinoceros is coming! For a methodology in cinema teaching
dc.type	article