De la crisis del mercado discográfico a las nuevas prácticas de escucha Technologies and Media in Digital Music: From Music Market Crisis to New Listening Practices

dc.creator	Héctor Fouce Rodríguez
dc.date	2010-03-01T00:00:00Z
dc.date.accessioned	2015-08-12T11:17:00Z
dc.date.available	2015-08-12T11:17:00Z
dc.identifier	10.3916/C34-2010-02-06
dc.identifier	1134-3478
dc.identifier	1988-3293
dc.identifier	https://doaj.org/article/a1a4641b0d7043de962740542be5dffd
dc.identifier.uri	http://evidence.thinkportal.org/handle/123456789/26021
dc.description	En la última década la industria de la música se ha convertido en el paradigma de las transformaciones que ha traído consigo el desarrollo del modo productivo hacia el capitalismo informacional. De la mano de una veloz innovación tecnológica, no siempre producida en los entornos empresariales, se han desarrollado nuevas formas de producción y consumo de música que han arrastrado a las compañías productoras de fonogramas a una crisis de ventas que ha obligado a una radical transformación en estas empresas en aras de la supervivencia. Este artículo pretende dar respuesta a la interrogante que subyace en las ambiciones de modificar el tejido productivo: cómo crear unas industrias culturales que sean capaces, al tiempo, de mantener una cultura común y democrática y desarrollar iniciativas que generen plusvalías a músicos, compositores y otros profesionales de la música. Para ello, nos serviremos de los datos extraídos tras una investigación en la que se realizaron tres entrevistas de grupo segmentadas según la edad. Se trata de cruzar las opiniones y experiencias de los consumidores con el análisis de la evolución de la organización de la industria de la música. A partir de la constatación de que las generaciones más jóvenes están instaladas en una cultura de la gratuidad de la música, se trata de explorar qué nuevos espacios de negocio aparecen y cómo son recibidos desde las posiciones en conflicto ya referidas.<br>In the last decade, the music industry has become the paradigm of the transformations that has carried the development of the productive system towards Informational Capitalism. Of the hand of a quick technological innovation, not always produced by companies, new forms of production and consumption of music have been developed. This new environment has dragged the phonographic companies to a crisis of sales that has forced a radical transformation for the sake of survival. One of these business transformations has been the intensification of the management of copyright. This intensification occurs mainly in two areas: the extension of the protection deadlines and the expansion of the fields and rights management companies-driven activities. This article is intended to answer the question that lies behind the ambitions to modify the productive system: how create cultural industries capable, at the time, to maintain a common and democratic culture and also to develop initiatives to generate capital gains to musicians, songwriters, and other music professionals. We will use data from a research that have conducted three group interviews segmented by age. The aim is to cross the views and experiences of consumers with the analysis of the evolution of music industry organization. From the observation that the younger generations are installed in a culture of free music, we explore what new business opportunities appear and how are received from the conflicting positions already referred.
dc.language	Spanish
dc.language	English
dc.publisher	Grupo Comunicar Ediciones
dc.relation	http://dx.doi.org/10.3916/C34-2010-02-06
dc.relation	https://doaj.org/toc/1134-3478
dc.relation	https://doaj.org/toc/1988-3293
dc.rights	CC BY-NC-SA
dc.source	Comunicar, Vol XVII, Iss 34, Pp 65-72 (2010)
dc.subject	Música digital
dc.subject	Industria cultural
dc.subject	Públicos
dc.subject	Tecnologías
dc.subject	Cultura digital
dc.subject	Nativos digitales
dc.subject	Música popular
dc.subject	Propiedad intelectual
dc.subject	Digital music
dc.subject	Cultural industry
dc.subject	Publics
dc.subject	Tecnologies
dc.subject	Digital culture
dc.subject	Digital natives
dc.subject	Popular music
dc.subject	Intellectual property
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	DOAJ:Media and communication
dc.subject	DOAJ:Social Sciences
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	DOAJ:Education
dc.subject	DOAJ:Social Sciences
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	DOAJ:Media and communication
dc.subject	DOAJ:Social Sciences
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	DOAJ:Education
dc.subject	DOAJ:Social Sciences
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.subject	Communication. Mass media
dc.subject	P87-96
dc.subject	Philology. Linguistics
dc.subject	P1-1091
dc.subject	Language and Literature
dc.subject	P
dc.subject	Education (General)
dc.subject	L7-991
dc.subject	Education
dc.subject	L
dc.title	De la crisis del mercado discográfico a las nuevas prácticas de escucha Technologies and Media in Digital Music: From Music Market Crisis to New Listening Practices
dc.type	article