In the poetic discourse of Jean Baptiste Tati Loutard, material imagination (water, fire, and air) are exematic figurations that generate significance. The disambiguity of this set of acts of signification imposes a unique reading. This proceeds first by cohesion which sets multi-isotopies coming from semantic categories aforementioned under the control of a single universe of meaning. Then, it brings coherence where each textual segment is put under the dependence of other segments. Finally, it reaches congruence, a source of equivalents and totalization.